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Guest article by DP Rangan as a tribute to Talat Mahmood on his 20th death anniversary (24 February 1924 – 9 May 1998)( We know all the famous songs of Talat Mahmood. Most of them are already covered on SoY. But that is not a deterrent to a real Talat-fan like our indefatigable DP Rangan, who is well-up even on his obscure songs.
This post covering mostly his ‘unknown’ songs would be a delight to the lovers of Talat’s velvet voice. Thank you Mr Rangan. – AK)My fascination or rather drug addiction for old Hindi film songs started when I was around ten years of age. My schoolmate’s father had a great magical instrument, as it seemed to me, i.e. A spool tape recorder and a Philips radio to go with it.
He had recorded old Hindi film songs from Radio Ceylon, and, as a reward for giving tuition in mathematics to his children, allowed me to listen to them. I was an avid listener, but whenever Talat Mahmood songs rolled by, I felt like a humming bee sucking nectar from a flower. At the end, I used to come to my senses with a start. That fascination had continued all along my life. Radio was the sole source for songs then.
However, many of my favourites were broadcast after ages which added to my frustration. After qualifying in an examination conducted by the UPSC, I joined government service in Delhi. With my modest salary from the government job, I could not to afford the luxury of a turntable, but I was mad enough to purchase 78 rpm records of his film songs, thanks to extra money earned from mathematics tuitions, and I used to listen to them during weekends at a neighbour’s place on his device. Technological advancement led to tape recorders in eighties and I acquired a Sony tape recorder sold by a dealer in smuggled goods at Nagapatnam, which was a hub for such goods, as I had by then advanced in my career to earn four figure salary much envied by my neighbours. Now with better finances at my disposal, I acquired many cassettes of 60/90 minutes’ duration and I could listen to my favourite singer at my will. To my horror, I found that frequent playing of the tapes resulted in tapering off my urge to listen and frequency dropped off alarmingly.
I now started looking for his less heard songs but to no avail. Down the years, certain set of songs of his were available and nothing more. CDs replaced tapes and yet there was scarce any improvement in new song addition.
CDs were available in plenty in market at throwaway prices with various permutations and combinations, but it was only a case of old wine in a new bottle.Then came the great revolution in communication technology, i.e., establishment of “World Wide Web” or ’www’ as is dubbed, an invention by a group of scientists to exchange information, and introduction of YouTube by Google, which made it easier for people to post videos of short duration. Wide vistas were thrown open and all who wished could post videos of their liking. Now songs and music of every genre is available and search facilities had rendered the job of locating any item easier. I began the job in earnest and was astounded at the abundance of Talat songs, considered to be rare at one time. We should be eternally grateful to those industrious pioneers who had gathered the songs, codified them and added them to the YouTube ocean for all to surf.
To start with, I landed with more than 50 songs of his, which I have not heard at all or scarcely once.I have nothing new to add to the biography of Talat Mahmood. Many posts on his songs have already appeared in this blog composed by the blogmaster. The legendary crooner had his long innings from 1945 to the early sixties and gracefully retired when he found he was a misfit thereafter. While the current crop of ‘noise’ which goes by the name ‘songs’ in day to day films are a seven days’ wonder, Talat’s will outlast time. As current generations mature over a period of time, they are certain to visit the golden age songs and listen to them. Fortunately, they are well preserved now for all time to come. It is unfortunate that copyright claims lead songs being withdrawn from YouTube site without notice and you are presented with a grinning skeleton in red, a dreaded sight for music lovers.Talat Mahmood was gathered to his forefathers on 9 th May 1998.
Today on the 20 th anniversary of his passing away, I would like to present a few of the songs, generally not heard over the radio or available as CD, as my fond tribute to him. I apologize in advance for any inadvertent errors.
I look forward to comments and additions by the veterans of Songs of Yore.1. Jaago musafir jaago from Raj Lakshmi (1945), lyrics Suresh Chowdhury, music by Dhiren Mitra and Robin ChatterjeeProbably the first Hindi film in which Talat Mahmood acted as a singing star, though the main actors were Jahar and Kanan Devi. It is a good introduction by the music director with a lush tune and the young voice is quite prominent. It was a part of the collection brought out by HMV in their cassettes in the 1980s eighties and I still possess it as a precious jewel. The song is simple and straightforward in line with those sombre days.2. Haye ye maine kya kiya from Samapti (1949), lyrics Pandit Bhushan, music Timir BaranTalat Mahmood was only a play back singer in this movie, which had actors as Hiralal, Sunder, Bharti Devi, Kanak Kumari.
The song proceeds like a slow flowing river in the plains. There was another good song Man ki maina bol rahi hai, but too well known.3. Jo beet gaya so beet gaya from Swayam Siddha (1949), lyrics Bhavani Prasad Misra, music Prafull ChowdhurySamar Roy and Shanta Apte were the principal actors. Talat Mahmood was only a playback singer. Another of those standard tunes of the period. The other solo is also in similar vein.
It was just a toss between the two.4. Ja jaanewale bhala ho tera from Wafa (1950), lyrics D N Madhok, music VinodA Karan Diwan-Nimmi starrer, this song must have been picturized on the hero. I can only state it is just good to hear. There is one more solo Ram ji duhai hai, but no videos are available.5.
Chandni raat mein from Naazneen (1951), lyrics Shakeel Badayuni, music Ghulam MohammadNasir Khan and Madubala are the main actors. This is the only one solo from the film sung by Talat Mahmood. Just a good tune from the music director sung in the usual style.5.
Tadap jaate hain ab wo bhi from Zamane Ki Hawa (1952), lyrics Kaif Irfani Bhopali, music Gulshan SufiSuresh, Mumtaz Shanti and Pran have acted in this film. Five lyricists have written the songs. Out of 12 songs, data is available only for four.
This song is part of HMV tape and I chose it for the soothing effect it has when one listens to it.6. Mohabbat mein kashish hogi from Khoobsurat (1952), lyrics Shaukat Jaunpuri, music Madan MohanI could not resist my urge to present this song, because of its sweetness and the good tune by the maestro Madan Mohan.
Nasir Khan and Suraiya play main role. Madan Mohan was also a childhood neighbour of Suraiya and had known her well.7. Kah rahi hai raat andheri from Hyerabad Ki Naazneen (1952), lyrics Noor Lakhanavi, music Vasant DesaiWhat a strange title! I am sure this will be a surprise for many of the viewers. Manohar Desai and Nigar Sultana play main roles. A rare combination of this music director and Talat Mahmood.
Another solo from the film is titled D uniyan mein jeena hi padega. The only other song for this combination is a duet Tim tim tim taaron ke deep jale in the film Mausi.8.
Khada hun der se from Alif Laila (1953), lyrics Sahir Ludhiyanavi, music Shyam SundarI had to make extensive search in this year. Most of the songs of Talat Mahmood appear to be in wide circulation and I could not come across any rarely heard song of his. I zeroed on this as perhaps less heard in comparison to many others.
Main actors were Vijay Kummar and Nimmi. Shyam Sundar has composed a song suited to Talat Mahmood singing style.9.
Teri yaad ka deepak jalta hai from Gawaiya (1954), lyrics SH Bihari, music Ram GangulyThere are two versions of the song, one by Talat Mahmood and another by Surendra, the hero. There is no easy answer to the query which version is better. It is for the readers to judge in their individual preference.10. Khamosh hain sitaare from Haar Jeet (1954), lyrics Saraswati Kumar Deepak, music SD BatishA lovely tune composed by this music director and Talat Mahmood is fully in his element.11. O jaanewale tum na maane from Rishta (1954), lyrics Pandit Phani, music K DuttaSuresh/Nigar Sultana were the lead stars in this movie.
This song is a little fast-paced for Talat Mahmood.12. Mohabbat bane hain from Aaj Ki Baat (1955), lyrics Hasrai Jaipuri, music Snehal BhatkarThe hero Ajit seems to be crooning in bliss having fallen in love with the heroine Chitra and is exhibiting it through the silken voice of Talat Mahmood.13.
Sahara koi mil jata from Raftaar (1955), lyrics Nakhshab, music ShivramTalat donned the role of hero and his heart throb was Nadira. A very sweet song which can be heard again and again. This was also part of HMV tape release.14. Dil jawan hai aarzoo jawan from Samudri Daku (1956), lyrics Vishwamitra Adil, music JaidevThis seems to be a thriller involving pirates. Nasir Khan must have sung this song in youthful abandon probably strumming a guitar, a familiar instrument with such seafaring men.
The song goes on in even meter without a hitch. I do not know whether Nadira, the heroine was present in the scene as the link contains only the audio. Another version of the song is a duet with Asha Bhosle.15. Salam tujh ko from Mera Salaam (1957), lyrics Shewan Rizvi, music Hafeez KhanThe main actors are Bharat Bhushan, Bina Roy, K N Singh and Durga Khote. The song is certainly worth listening as one relaxes in bed after a day of toil.I can keep on adding more such kind of songs less known at the risk of introducing an element of boredom in the post. I now call it quits and leave it to the judgement of blog followers as to the quality of the post.A look at the above songs reveals that many of the music directors belong to the forgotten category and were probably not prominent even in their heydays.
They fell by the wayside as the years advanced. On the contrary most of the lyrists seem to have escaped the hatchet and survived far into the future. Talat Mahmood’s golden era was coming to a close and he must have sung fewer of the songs thereafter as the trend of film music had undergone a paradigm shift and he would have no further part to play. Still he managed more than 60 songs, solo and duet in sixties.
Most of them would be familiar to serious film music followers.I request the followers of this blog to post more such songs of yesteryears of this genius, unknown, rare or infrequently heard.I was encouraged in this crazy venture by great-hearted AK himself. All brickbats to me and pat on the back to AK. I immediately remember ‘thandi pawan chale” from Footpath. 1953.It is not a solo, but the lines from Talat are so, so magically sweet. Music by Khayyam. Unfortunately, the song seems to have been deleted from the film.
Curiously, a Tamil version of this song ( not so sweet) was featured in a drama in a Tamil film Illara Jyothi, sung by A.M.Rajah and Jikki (1954). A search for this Tamil song led me to its source in the Hindi original.Incidentally, I have read that improvements in technology (mikes and recording equipment) worked against Talat, as the vibration/quiver in his voice got unduly magnified, and it could not be moderated/corrected. I think Manna Dey said this somewhere.
That is why he did not get many chances in the 60s. It is for the experts here to comment on this.
Dinesh K Jain May 9, 2018 at 1:49 pm. An excellent and most interesting write-up, just as we have come to expect from Mr.Rangan, and on a compelling theme; thank you. Like most fans of SoY, I too am a fan of Talat and his silken voice, and can listen to his ‘popular’ songs ad nauseum.I am not seeking to strike a discordant note, so please do not take it otherwise. But I have been reminded of a truism that if any songs go obscure, it would not be without reason.Rangan ji, you speak of Talat’s long singing career of 15 years, whereas in my opinion a successful and popular singer like Talat should have been among those most in demand for at least 30 years.
How do you then explain his significantly waned popularity already since early sixties; so much so that a mediocre actor like Manoj could insist on Mahendra Kapoor’s voice for him in preference to Talat’s in Aadmi even after the disk had been cut and the song already released? N Venkataraman May 9, 2018 at 1:55 pm. Ranganji,Thanks for the befitting tribute to one of the greatest singers of the golden era, Talat Mahmood, by way of presenting some of his lesser known numbers. All his renditions were epitome of grace and beauty.
I would go through the post and listen to the songs in leisure and come back.The first song that came up in my mind was the duet, Mera kahan hai man mera by Talat Mehmood and Jikki from the film Gul-e-Bakawali (1956). This was a dubbed Hindi movie and this song was a rare and beautiful duet, where Talat Mahmood sang for Puratchi Thalaivar MGR, who later became the Chief Minister of Tamil Nadu. Unfortunately the audio of the song is muted in the video link available in YT.I am posting a NFS of Talat Mahmood. I believe the music was by Anil Biswas.
Akji had expressed doubt about the composer being Anil Biswas, when I had posted earlier. This is one of my favourites, hence I am posting it again.Sitaaro tum gavaah rahanaa, lyrics Sajan Dehlvi, music Anil BiswasGaddeswarup May 9, 2018 at 2:29 pm.
I am totally flabbergasted at the tenor of the comments. This only strengthens my perception that Talat still lives in the heart of his film and non film music afficinados. This post is the result of the idea floated by our great blogmaster AK. All credits to him only.Jawaharji Many thanks for the appreciation.Dineshji Very much appreciate your views on the post. I am happy it has brought someone who has been in a retreat for quite some time so far as SOY is concerned. The query you have posted about Talat not getting full credit and more opportunities is beyond me.
You must post it to the master Arunkumarji.Nanjappaji Very glad to see you again here. That song was not included in the film at all. I have seen full picture Footpath in a theatre in mid 60s. It is an excellent chorus and as correctly pointed out by you imitated very badly in Tamil.Venkataramanji Have heard the Gulebahavalli song both in Tamil and Hindi.
The song you mentioned at the end of comment is a non film Talat song and set to tune by Anil Biswas. The full lyric is –bhale tum ruth jaao, bhul jaao, ai mere humdammeri har saans tum ko aate-jaate yaad karti haisitaaro tum gavaah rahna,Really a wonderful pieceGaddeswarupji – Thanks to you for reassuring me that many of the songs posted by me were not heard for a long time.Maheshji Thanks for your comments. Try to locate really rare songs and post them here and not the usual ones which has been going round for a long time.
Neeraj Mittal May 9, 2018 at 4:58 pm. A fine write up on a very fine singer Talat Mohammad.
At the outset let me admit that I am not a veteran or stalwart as regards posting comments in SOY But I visit this site regularly and some great articles/comments one can see about many great singers/music directors and others associated with Hindi film industry of bygone era – the golden era.Here are some fine songs of Talat Mohammad that are my favorites.1. Gham ke andheri (Susila) a duet with Rafi Sahib2. Jume re neela amber jume re (Ek Gaon ki kahani)3 hai sabse madhur geeth (Pathita)4 jalthe hai jiske liye (Sujatha)5 shaam gham ki kasam (Footpath)6 phir wohi shaam phir wohi gham (jahan ara)7 raa ne kya kwab dikaya8 aye mere dil kahin aur chal (daag)and there are some more.From Anil Biswas to Madan Mohan Talat had sung for many music directors and I think Madan Mohan gave him more songs. Thank you Mr Rangan for this wonderful post.
Almost all songs were unfamiliar for me and you have done us a great service by bringing them back into our lives. Talat’s voice and singing style ideally suits this age with simple tunes and very little instrumental accompaniment.
He has some amazing songs with prominent role for instruments – “Ae mere dil kahin aur chal”, and “Bechain nazar betaab jigar”; but he is best in songs in which instruments stay in the background and allow us to savour his gentle, golden voice. N Venkataraman May 9, 2018 at 6:10 pm. Your introduction to HFS in general and Talat Mahmood’s songs in particular, starting from the spool tape recorder and Philips radio days to internet and YT days made an interesting reading. You have further garnished it with personalized flavours. Listened to the selection of songs. Some of the songs posted were new to me.
Listening to Talat Mahmood’s songs is an ethereal experience. Thanks once again.Let me post another lesser known song, a nice oneKya Ho Gaya Kya Mujhe Ho Gaya, film Shree Chaitanya Mahaprabhu (1953), lyrics Bharat Vyas, music R C BoralMay 9, 2018 at 6:24 pm. 3 and 8 comments.I like Talat’s songs which are in blue mood only.Talat had a limitation in his singing and it was only with good lyrics and a good music Director, Talat’s songs would be popular.Majority of his songs are unknown,obscure.less or not heard.not without a reason.His limitation would get exposed with poor tune or poor music or even poor lyrics.Nevertheless Talat had and has millions of lovers of his songs, but only those which were popular-mind you.
There is no match for his lovely songs which were so famous and popular. I too simple fall for them.Readers will post several unknown songs of Talat here, but seldom it is thought why these songs did not get popular.These are my personal opinions. Everyone is entitled to one’s choices.Pasand apni apni khayal apna apna.
May 9, 2018 at 8:07 pm. Dinesh @3, Arunji @16,The real test is the percentage of total songs that achieved lasting popularity. On that score Talat Mahmood may have a better record than Rafi. To put it in perspective, Talat sang about 450 Hindi film songs to Rafi’s 4500.Talat had some of the best songs of his career in Jahanara (1964): Phir wohi sham wohi gham wohi tanhayi hai, Main teri bazar ka suroor hun, Teri aankh ke aansoo pee jaaun and Ae sanam aaj ye qasam khaayein (duet with Lata Mangeshkar).
That makes a career of 20+ years (he was hugely pupoular from early 40s for his non-film songs). That is not too bad. Thereafter, the tastes changed, he lacked Rafi’s versatility, and he also developed throat problem which was really a sad end to a glorious career.
D P Rangan May 9, 2018 at 9:32 pm. @10/- I am aware of his venture in Telugu filmdom and thank you for pointing out to others too.Vasudevanji Thanks for your assessment of the post. You need not be a veteran to post a comment.
AK has given wide latitude to all and you can write what you feel. Your list of songs are the well known variety and this post is about his less heard songs.Subhodji Thanks for your views. Since an expert like you state most of the songs were unknown to you, they must fully qualify as belonging to category of less heard. Your assessment of his singing qualities is par excellence and I fully agree his songs can run on their own with minimum instrumentation.Venkataramanji I have a weakness for starting posts with my own experience and I am glad to note you found it interesting.
The song you posted will fit the category of less heard or rare song. May 9, 2018 at 11:07 pm. I tend to agree about Talat’s career fading away in early 60s.I personally feel he lost the magic in his voice in 60s, though songs from roop ki Rani are excellent and Tum to dil ke raat is my all time favorite. Also good songs are from Chhaya.I had no idea about his throat problem, it was really an unfortunate obstacle in his career.I have read in some books, where he blames his acting career for his relative failure in 60s.He said that there were rumors about his being interested only in acting and not in playback singing.
That rumor got circulated in the industry and many composers believed it, with the resultant less work.No idea if this was really true or not. But could be true as well.I personally dont much like his songs from Jahan ara. His voice sounds too shaky, though I love the same shaky voice from the films in 50s.Of course he had some X Factor in his voice in early years. Ksbhatia May 9, 2018 at 11:49 pm. D P Rangan ji;You have really opened the gates of an old museum, rarely visited.
Each walls of it murmur and speak gently of the voice that never ever have disturbed the sleep and even the neighbours. Talat’s voice was a delivery of dreams in his songs. You don’t have to make a mood to listen to his songs; it is other way.your mood gets itself in happy mode when you listen to his golden smooth silky voice.While slowly I will go thru each of the songs posted and at the same time will look for the unheard songs too. Here is one by Talat and the same song in its punjabi version is by Rafi1. Aye bhi akela Jaye bhi akela.Talat.Dost 1954.Hansraj Behl.more to follow. Canasya May 10, 2018 at 12:12 am.
Rangan ji:I just cannot get enough of Talat. And with several songs here that I had not heard before, this is a real treat. I agree with Arun ji’s view in that Talat remains peerless in blues singing. With his limited range he was never going to match Rafi in numbers, even when he was at the peak of his career singing for Dilip, Raj, and Dev. His acting career probably hastened his fall.
In an interview Naushad mentioned that Talat had been suffering from Parkinsons which had exacerbated his tremolo. Rangansaab and N. Venkatraman @ 4First I praise Rangansaab for doing plenty of labour and bringing us to notice the wealth of not so popular songs of Talat.Now Venkatramansaab, according to the book I have on Talat called “Talat Geeta Kosh” by Rakesh Paratp Sinh published in 1992 the music director of the film “Gul-e-Bakawali” is “Gyaandatt”. This Kosh seems to be a definitive work. But your information about its Tamil originality is very important.This Kosh is very good work and reference on the films and songs of Talat as it has most of the songs and a good work like the other “Kosh works like Harmandira saab’s book and also the Kosh of the songs of Mukesh by Raghuwamshi.Shalan Lal N Venkataraman May 10, 2018 at 6:35 pm. Shalanji,First of all I should thank you.
Your comment made me look for the song once again and I could get a link to an audio version of this song.Gul-e-Bakawali, was produced and directed by T. Ramanna in 1955. The Tamil film was dubbed in Hindi and released in 1956 with the same name. The Tamil film’s music was composed by the duo Viswanathan–Ramamoorthy. The original tunes of the Tamil version were retained for all the songs, however Gyan Dutt, initiated some changes in the music arrangement for the dubbed version.Before I post the song I would like share an anecdote about the Tamil Version.The song Mayakkum malai pozhuthe nee po po was initially composed by K V Mahadevan for the film Koondukkili. Koondukkili was the only film where M G Ramachandran (MGR) and Shivaji Ganeshan acted together. Both of them wanted the song.
The producer, Ramanna, unable to resolve the issue, decided not to use the song in this film. Later the song was used in the next film Gulebakawali for MGR! The credit for this song was given to Vishwanathan- Ramamoorthy pair, who scored the music for Gulebakawali.The original Tamil Version composed in the carnatic raga named Bageshri,Mayakkum malai pozhuthe nee po po by A M Rajah and Jikki from the film Gul-e-bakawali (1955), lyrics TN Ramaiah Dass, music Vishwanathan-Ramamoorthy(?)The Hindi version (audio only)Mera Kahan Hai Man Wo To by by P. Krishnaveni (Jikki) & Talat Mahmood, film Gul-e-bakawali (1956), lyric Payarelal Santoshi, music Gyan Dutt / Viswanathan and RamamoorthyPS: You would find more songs in the article ‘Multiple Version Songs: Hindi-Tamil film songs: Songs from Dubbed Versions’ posted May 2013. Here is the linkMahesh May 10, 2018 at 8:52 pm. Akji & ShalanjiAfter providing the link to the article on Dubbed Songs, Hindi-Tamil, I revisited the post. To my dismay I found that the links for many songs, posted therein are no longer available.
If we can find alternative links for those songs, we can replace the defunct links with them. And my suggestion applies to all the posts. Since the inception of SoY, roughly 275 articles might have been posted till date. People visiting earlier posts will find it less interesting. Trudging through all the posts will be a painstaking effort, and I am ready to share the load. Any more takers. May 11, 2018 at 5:43 am.
Akji @28In my humble opinion it will be worthwhile. People revisiting the earlier posts (and I am sure our members as well as new guests would certainly visit the earlier posts) would find them less interesting without the link to the songs. My suggestion is that it should be done for all the posts (only the main list), and not for my posts alone. I am ready to go through each and every post and send you the available alternative links. But you will have to take up the task of putting them. N Venkataraman May 11, 2018 at 1:15 pm. Lyricist Naqsh Lyallpuri remembers a recording with Talat.
The song was Zindagi kis mod pe laye mujhe, from the film Diwali ki Raat. Snehal Bhatkar was the music director. On the day of the recording there were only two musicians. But the producer liked his singing so much that the recording was done with just those two instruments.Zindagi Kis Mod Par Layi Mujhe, film Diwaali ki Raat(1956),lyrics Naqsh Lyallpuri, musi8c Snehal BhatkarTalat Mehmood rendered 15 songs in 4 films for Snehal Bhatkar. Harpreet sungh May 12, 2018 at 6:28 am.
Venkatramanappaji @30This analysis is great and very useful for a person like me who enjoys researched material and ready at hand. It should be named in the right panel whne you have done.Canasya @ 35Talat also did the recording of the two Gazals of Faiz Ahamed “Faiz” the great poet who stayed in Pakistan and battled against the zealots who put pressure on him until his dying days.Talat himself composed the music for them and sung. But they are not very popular. But they are very good. One wonders if it was political neglect that was used against both Faiz and Talat. The recording was done in Pakistan.Following are the two Gazals:1)Khuda Woh Waqta Naa Laaye2)Dono Jahan Mein Teri Muhabot Ko Haar KeShalan Lal Jignesh Kotadia May 12, 2018 at 8:34 pm. Mumbaikarji @ 50Besides Hindi, Talat Mahmood rendered songs in 12 more languages, if you take Bhojpuri, Awadhi etc as variations of Hindi (Those who have visited Talat’s blog will know).
Out of these, songs in Telegu, Bhojpuri and Gujarati have been posted. Thanks for posting the Marathi NFS.Akji has plans to bring out another post on Talat Mahmood on 24th February 2019 (@33). Our new friend Harpreetji, has requested AKji to do a post on Talat’s NFS (@42).Here is a couple for our new friend.Film Mutiyar (1951), music Vinodand a Punjabi duet with Surinder Kaur, Talat comes at the end (after two third of the song)mumbaikar8 May 13, 2018 at 3:33 pm. AKji, Ranganji,A bit of statistics and then two songsTalat Mahmood sang for roughly 85 Music directors in Hindi films. He rendered little more than 50% of the songs for 16 music directors.Talat Mahmood had rendered the highest number of songs under the baton of C Ramchandra, (29 songs in 12 films) followed by Madan Mohan (23 songs in 14 films), Hans Raj Behl (21 songs in 10 films), Vinod (19 songs in 8 films), Ghulam Mohammad (18 songs in 7 films), Shankar-Jaikishan (18 songs in 9 films).The other 8 MDs are Snehal Bhatkar (15), Anil Biswas (14), S D Burman (14), Khayyam (13), Nashad (12), Salil Choudhury(11), Robin Chatterjee (11), Chitragupt (10), Roshan (10)and Hafeez Khan (10). Talat sang 8 songs for Naushad.Here are two more lesser known songs of Talat, I suppose.Betaab Hai Dil Bechain Nazar, film Behram Daku (1959), lyrics Sab Afghani, music Sadat KhanMaine bhi husn ki nazron mein jagha payi, film Wanted (1961), lyrics Shaqeel Badayuni, music RaviMay 18, 2018 at 7:48 am.
Akji @59Yes, I too was surprised at the interesting statistics. I cross checked with the list at Khalid Mahmood’s blog and it seems ok. The total songs of Talat Mahmood will be around 740-750. Out of this, only Hindi film songs will be around 450.Yes there is one mistake.
The first line in the third paragraph (@58) should be “the other 10 MDs are” instead of “the other 8 MDs are’.More over I have not included the Bhojpuri film songs of Talat Mahmood composed by Chitragupt. And the Bengali film songs by Robin Chatterjee.The total songs composed by the MDs mentioned @ 58, including Naushad, will add upto a little more than 250.A R Qureshi, Avinash Vyas, Bulo C Rani, Dhani Ram, Jaidev, Husnlal-BhagatRam, Rai Chand Boral, Sajjad Hussain, Shiv Ram, Timir Baran and Vasant Desai should roughly account for another 75 songs.
N Venkataraman May 20, 2018 at 12:52 am. We all know that Talat Mahmood’s first recording happened in September 1941, the song being Sab din ek samaan naheen tha, Ban jaoonga kya se kya main, iska to kuchh dhyaan naheen tha, written by Fayyaz Hashmi and composed by Kamal Dasgupta. Some say the music was composed by Subal Dasgupta, Kamal Dasguptas’s brother. I have posted this song @30. After six recordings for HMV in Calcutta, Talat returned in 1942 to complete his studies. Then he was back in Calcutta in 1944 for a longer stint, till left for Bombay in 1949.
P C Baruah invited Talat Mahmood to act and sing in the film Rajlakshmi (1945) under the M P Productions banner. Jaago musafir jaago, kholo man ka dwaar, a wonderful song, was the first in the main list of Akji. I think this was also the first film song by Talat Mahmood. I am posting another song from the same film.Is jag se kuchh aas naheen, film Rajlakshmi (1945), lyrics Suresh Choudhury, music Robin ChatterjeeN Venkataraman May 20, 2018 at 12:53 am. During his first visit itself, In Calcutta, Talat started learning Bengali.
Later, he was married to Latika Mullick, a Bengali actress. Most probably in 1946 he started singing in the name of Tapan Kumar.
In Tum aur main (1946), he sang as Tapan Kumar with Suprova Sarkar, Purwaayi pawan lehraaye, o jeeya jaaye. During this period he sang for a Bengali film Saat number Baari (House no.7).
I am presenting two songs of Talat Mahmood from this film.Katha Noy Aaji Raate, film Saat Nambar Baari (1946), lyrics Pranab Roy, music Robin Chatterjee.Ke Dake Amay, film Saat Nambar Baari (1946), lyrics Pranab Roy, music Robin Chatterjeegaddeswarup May 20, 2018 at 2:12 pm. Gaddeswarupji @ 63Besides Ananda Math (1952), Talat sang 3 more songs for Hemant Kumar in the films, Bahu (1955) and Bewee aur Makan (1966). To the best of my knowledge, Talat Mahmood did not sing any solo for Hemant Kumar in Hindi films. However there are two Bengali NFS composed by Hemant Kumar and rendered by Talat Mahmood.Here are the two duets from Bahu.Dekho Dekho Ji Balam Deke Birha Ka Gam with Geeta Dutt, film Bahu (1955), lyrics S H BehariThandi Hawaon Mein Taro Ki Chav Mai with Geeta Dutt, film Bahu (1955), lyrics S H BehariN Venkataraman May 20, 2018 at 5:04 pm. AKji @ 67Nice observation and very true.
May be that is why Hemant KumR did not give Talat mAHMOOD any solos in HFs.Talat Mahmood had rendered many NFS in Bengali, his film songs in Bengali are not many. I have already posted two songs from 7 no. Bari.In 1960 Talat Mahmood vistied East Pakistan and he stayed at Gulistan Bhavan. He sang two solos for the film Rajdhanir Buke. The song, Amar sey gaan hariye gechhe has been written and composed within 45 minutes in the famous Chinese Restaurant.
The restaurant was closed during 1981. Nice rendition by Talat.Amar sey gaan hariye gechhe, film Rajdhanir Buke (1960), lyrics K G Mustafa, music Robin GhoshThe other solo form the same film. I mentioned Robin Ghosh in the post ‘Songs of Stars’. Robin Ghosh was well known music director of Pakistan then.Tomare Legeche Eto Je Bhalo, film Rajdhanir Buke (1960), lyrics K G Mustafa, music Robin GhoshN Venkataraman May 21, 2018 at 4:32 pm. Gaddeswarupji,You had mentioned Paataal Bhairavi earlier.
Here are the songs of Talat from the film.Prem Panth Ko Chala Musafir Bankar by Talat Mahmood, film Pataal Bhairavi (1951), lyrics Pt. Indra Chandra, music GhantasalaBichad Gaye Jo Saathi Phir Na Milenge Pyar Bhikhre Phulo Se Kanto Se by Talat Mahmood, film Pataal Bhairavi (1951), lyrics Pt.
Indra Chandra, music GhantasalaKahee Prit Se Bhara Koyee Git Ga Raha by Talat Mhamood & Geeta Dutt, film Pataal Bhairavi (1951), lyrics Pt. Indra Chandra, music GhantasalaN Venkataraman May 22, 2018 at 10:00 pm.
It is really heart warming to read the post Talat Mahmood: A Mesmeriser by Mr. I, like the mood expressed by Mr.
Rangan, I can sit and listen to Talat for his rendering, the quality of his voice and the quality of lyrics, till time eternity without a break. Going through his list I would have like to have seen a couple of more songs in the list, the most missed by me in the list are:Yaadon Ka Sahara Na Hota, Film: Patthar Ka Khwab (1968), Music: N.
Dutta, Lyrics: Pal PremiMain Peeke Nahin Aaya, Film: Kavi (1954), Music: C. Ramchandra, Lyrics: Rajinder KishanJo Khushi Se Chot Khaye, Film: Dil-E-Naadan (1953), Music: Ghulam Mohammad, Lyrics: Shakeel BadayuniAshkon Ne Jo Paya Hai, Film: Chandi Ki Deewar (191964), Music: N. Dutta, Lyrics: Sahirvisweswaran Visweswaran May 23, 2018 at 12:03 pm. I apologise for the long silence. I was preparing for a long absence from India this year and the numerous jobs associated with closing a running household.
I am now in Cincinnati. Further I had a scare at Paris. I misplaced our passports while crossing security there and realised it is missing just 10 minutes prior to leaving for Cincinnati from Paris. You can imagine our plight. The airport staff were magnificent and all joined together to trace and voila in 5 minutes they located the passport and returned to us and we just boarded when the gate was about to close. This is a great lesson for me for future.
I will now post my comments and my personal appreciation of the numerous comments from blog followers today itself. This is a summary for justifying my not responding so far. May 23, 2018 at 10:14 pm.
When I read the post by AKji regarding complteness of posting on Talat, I recollected an interaction with him when he visited IIT Kanpur for a performance in early 70s. He had just recovered from a cardiac attack and was just then discharged from the hospital. When some of us went up to him and enquired about his health and whether he will be able to perform for the whole length of time, this is what he said, “Mein Dil ka Mareeze Hoon, Dil Se Nahin”.He was a great human being apart from being a great singer. Jignesh Kotadia May 24, 2018 at 1:39 pm. Bhatiaji thanks for the appreciation in such flowery language and living in the past. I am stumped to observe that you had posted only one song of this category. Why dam your free flow of songs.Canasyaji Very much appreciate your posting songs from a Pakistan film.
Is Talat the sole singer from India to figure in Pakistani films?Jignesh Am happy that I jolted you out of slumber and you come out with wonderful numbers. Please be active and bring to light such songs.Vaishnavji Thanks for the way you appreciate the post. Your observation is out of ordinary.Madame Shalan I like your frank assessment and the attitude calling a spade a spade. Your appreciation of the post is a pat in the back for me. Many thanks for itMaheshji What is there to be afraid of. Do post the songs. I also remember the cassette you mentioned.
I do know about the site run by Khaleed. At one time I was about to purchase his complete songs and films for 5000 from the site. Realising that thrill of discovering new songs would vanish, I desisted from it.
D P Rangan May 25, 2018 at 7:00 am. Harpreet Happy to realise that you have also been bitten by Talat bug. Thanks for your comments. Do listen to all the songs posted by so many veterans.Giriji Thanks for the superlative praise for the post. It is to the credit of AK only for the concept. I merely scribble something and is fortunate it is uploaded in this site. I am in total agreement with your assessment of Talat’s crooning qualities.Ms.
Mumbaikar I was extremely fortunate to have met you in person in the beginning of the month. Thanks for your appreciation. I do have a good collection of his non film songs but in mp3.
Will attempt to link it with you tube and send it to AK.KB Quality and not quantity should be the scale to appreciate. You have struck the right note.Visveswaranji Thanks for the appreciation. The songs you posted are heard often I presume. Even then they do not pale.
The bhajans are great. D P Rangan May 25, 2018 at 7:05 am.
D P Rangan ji @81;My apology for being less visitor this time; as like you I am in the midst of pack up for joining my son in law and family for our summer vacation in the states. Our visa was expiring in may itself, so has to renew it for the next ten years. Now every thing on online we have to get the visa thru some agent and were lucky to get it as drop box case.In between I have been updating myself reading thru comments and songs which I must confess were quite new to me.
I feel Talat’s lesser known songs got hidden from myself because of less known Music Directors who composed them; and that was silly part on me. Now I am letting myself hang on to listen what I missed earlier.The two high end songs that touched my heart whenever I listened to them; may not be popular with general listeners are.Kisko khabar thi kis ko yakeen tha.Devdas.SDBMitwa lagi re yeh kaisiDevdas.SDBksbhatia May 26, 2018 at 5:02 pm. D P Rangan ji;Feeling free here are two songs from the old film.Sansaar.which I saw with family when I was a Kid. This and many more film from south were family oriented movies which later got. Melodrama tag.when they were supplied in plenty.
In those days we as kids used to clap whenever we see signature murel / symbol of Gemini movies before and after the movie. We liked the movie Sansar because of one song.aama roti de baba roti de. Now revisiting the movie thru these two songs by Talat.4.Mit nahi sakta kabhi.5. Ye sansaar ye sansaar geet bhara sansaar.A few more songs to add, to me they are less heard but are beautiful in composition an redintion.6. Aaja aaja tera intzar haiTalat, LataSazaa1951.SDB7,Mohabbat ki dhun.Talat, Sudha Malhotra, Jagjit Kaur.Dil E Nadan.Khaiyaam8.Thi ek shahzadi.Talat.Lala Rukh1958.Khaiyaam9.Tere raste mein humne.Talat, Lata.Kavi1954.C Ramchandra10.Yeh zindgi itni haseen.Talat, AshaApsara1961.HB.to be contd.
N Venkataraman May 27, 2018 at 9:24 pm. Dinesh Jainji you are right. One is never tired of listening to Talat’s song. DIl mange more and more!Jignesh,A superb melody. Both the songs are great, but Tera Khyal Dil Se Mitaya Nahi Abhi overrides Tera khayal dil ko sataye toh kya karein.
Thank you for posting. Mohabbat Tark Ki Maine is another evergreen gem.A duet from an unreleased filmNazar Aa Nigahon Se Chhup Jane waale with Nirmala, unreleased film Piya (1950s), lyrics manjum Lucknavi, music S BanerjeeJignesh Kotadia May 29, 2018 at 12:15 am. MD Manohar and Saahir’s this masterpiece song has no actual video but the uploader has done a great job. He has mixed the video of Chal ri sajni and Jioonga jab talakand the result is quite enchanting.
The audio fits very well the videoand what a song by Talat a real gem.film: Chingaari, 1955जीऊंगा जब तलक तेरे फ़साने याद आएंगेकसक बनकर मुहब्बत के तराने याद आएंगेमुझे तो जिन्दगी भर अब तेरी यादों पे जीना हैतुझे भी क्या कभी गुज़रे ज़माने याद आएंगेकहीं गुंजेगी शहनाई तो लेगा दर्द अंगड़ाईहज़ारो ग़म तेरे ग़म के बहाने याद आएंगेMay 29, 2018 at 1:19 am. Thanks AKji for appreciating the deserving songs. You may see a similarity of tunes btwn two songs “Jiyunga jab talak” and “na jhatko zulf se paani” of Shehnaai.It seems Talat has special affection with मफ़ाईलुन and is quite impressive with this Chhand (छंद) of Ghazal.Talat sang many songs in मफ़ाईलुन: लगागागा लगागागा लगागागा लगागागाand each one is a gem.1. Jiyunga jab talak tere fasaane yaad aayenge Chingari2.
Muhabbat tark ki maine garebaan sii liya maine Do Raha3. Kisi surat lagi dil ki bahal jaaye to acchha ho Naubahaar4. Muhabbat me kashish hogi to ek din unko paa lenge Khubsoorat5.
Tumhaare dil ki duniya ko nazar me le ke jaaoonga Nirmal6. Muhabbat hi na jo samjhe woh zaalim pyar kya jaane Parchhaain7. Tadap jaate hai ab woh bhi tadap jana yahaan tak hai Zamaane ki hawa8. Bharam teri wafaaon ka mita dete to kya hota Armaan9. Hum unke paas aate hai woh hum se door jaate hai Naya ghar10. Unhen tu bhool jaa ai dil tadapne se bhi kya haasil Naya ghar11.
Kabhi tanhaaiyon men ek aisi bhi ghadi aayi Meenaar12. Kabhi hai gham kabhi khushiyaan yahi to zindagani hai Waaris13. Sahaara koi mil jaata to kab ke sambhal jaate Raftaar14. Kabhi aansu bahaate hai kabhi fariyaad karte hai Madhur Milan15. Dil e naadan zamaane men muhabbat ek dhoka hai Mast Kalandar16. Tum apni yaad bhi dil se mita jaate to acchha tha Yasmin17.
Hamaara kya ke hum tadpe magar tumko qaraar aaye Zindagi ya toofan18. Zara keh do fizaaon se hame itna sataaye na Gogolalast five are duets. May 30, 2018 at 1:49 pm. Jignesh,Nice observation.
But a lot depends how the same metre has been composed, or in other words in what scale (or raga) the song has been composed.Jiyunga jab talak may have the same metre, but Rafi scores over it in Na jhatko zulf se paani because of the utaar-chadhao and modulation in his voice. Another example is Faiz’s ghazal Dono jahan teri mohabbat mein haar ke which has been sung both by Talat Mahmood (NFS) and Mehdi Hassan, and see the difference.Dono jahan teri mohabbat mein haar ke by Talat MahmoodDono jahan teri mohabbat mein haar ke by Mehdi HassanN Venkataraman May 30, 2018 at 6:09 pm. Venkataramanji“Laage tose nain” is definitely a suitable candidate of this theme out of your five songs. Bhatiaji @85The song sansar oh sansar is resung in Hindi and its Tamil version starting with “Samsaram Samsaram Sahala dharma saram” was the first song of the crooner in Tamil films – A M Raja.Dineshji @ 90 & 91 – I am extremely pleased to see further comments from you which goes to prove that this is a popular theme I have brought out.Jignesh – What a flourish from you.
Talat’s hold on you has not slackened after all these years.Venkataramanji – Your unceasing stream of comments has overwhelmed me and please continue in the same vein. N Venkataraman May 31, 2018 at 2:36 pm.
Jignesh @104,I am thankful to receive your approval for the song Laage tose nain and the other two songs (@103). I am also glad that you liked the song from Salaam E Muhabbat.A duet from a lesser known film of the 60sNazar Utha Ke Yeh Rangeen Sama by Asha Bhosle & Talat Mahmood, film Ek Saal Pehle (1965), lyrics Jan Nisar Akhtar, music C ArjunA solo from a Ajit-Mala Sinha starrer of the 60s. Talat sing for Ajit.Ye kis manzil pe le aayi, meri badkismati mujhko by Talat Mahmood, film Main Suhagan Hoon (1964), lyrics Asad Bhopali, lyrics LachhiramJignesh Kotadia May 31, 2018 at 2:39 pm. Venkataramanji#4This is really mesmeriser NFS posted by you!! Maza aa gaya!! Heard first timetoo good too good. Ranganji @ 105Thanks for the response.
Hope you have comfortably settled after your eventful journey.Let me post a song from a Hindi film produced in the south.Do Dulhe (1955) was produced by Gemini and direct by K J Mahadevan. Sajjan and Shyama were the lead artists. Here is a lesser known duet from this film.Chanda Chamakti Raat Oji More Pritam Suniyo Maan Ki Baat by Talat Mahmood & Lata Mangeshkar, film Do Dulhe (1955), lyrics Pt.Indra, music B S KallaN Venkataraman May 31, 2018 at 3:17 pm. Jignesh @Bhale tum Rooth jaao, Bhool jao, E mere humdumMeri har saans tum ko aate-jaate yaad karti haiSitaaro tum gavaah rahanaaThis is a fabulous song, one of my favourites too.Here I would like to place a request. There is a possibility of Akji doing a post on Talat’s NFSs in near future (refer to comments @ 33, @42 and @43). Since then I have stopped posting NFSs of Talat. Akji will get sufficient songs to do a post, but enough songs should be there for the members too to make the post participative and interesting.
I hope everybody understands my point.Another pleasant song, from a 1966 film, seems to be based on Shivaranjani. Not exactly a lesser known song. This is a twin song, it has Lata version too.Pyaar ke pal chhin beete hue din ham to na bhoole tum bhool gaye by Talat Mahmood, film Kunwari (1966), lyrics Shailendra, music S N TripathiJignesh Kotadia May 31, 2018 at 9:41 pm. D P Rangan ji;Yes, film Sansar was made in south indian language earlier than Hindi version. During mid 50s a nd 60s lots of hindi movies were made in south and they proved to be great family melodrama movies untill the scene changed to urbanisation and fashion took over with the arrival of eastman color.A song that touched me of the flow of Talat singing in a little higher note in the second stanza. A voice to watch and hear again and again for its notes.11.
Aaj tujhe mohabbat aawaj de rahi hai.Karwan 1956.MD?.to be contd. Ksbhatia June 1, 2018 at 12:35 am.
And this is my favt from Bewafa, a lyrical beautyदिल मिला दर्द को मेहमान बनाने के लिएआंँख बक़्शी है कहीं आंँख लड़ाने के लिएकाम हाथों का है मिलने की दुआएं करनासर मिला आप के कदमों पे झुकाने के लिएहुस्न की आंँख में आंँसु नहीं देखे जातेईश्क तैयार है हर नाज़ उठाने के लिए# Raj Kapoor is a cunning Villain in this movie. He romances with Nargis in a greed of her wealth. Nargis’s one sided lover commits suicide after knowing Nargis loves Raj.in the end Raj flees with her money bag, policemen chase him and shoot him dead.
Ksbhatia June 1, 2018 at 1:57 pm. Bhatiaji,@112, 113, 118, 120Thank you for the fine additions and for being active even with tight schedule. All the songs of Daera are very much pleasing. Talat rendered three solos. But the MD was Jamal Sen.
Enjoyed the Punjabi song from Koday Shah. Here is another song of Talat composed by Sadul Kwatra.Pyar Bhi Aata Hai Kabhi Gussa Bhi Aata Hai by Talat Mahmood &Asha Bhosle, film Goonj (1952), lyrics D N Madhok, music Sardul KwatraYou posted a song composed by S Mohinder. I would like to post the songs Gham na kar khushi ka daur ayega from Shahzada (1955) and Sunaoon Kisko Afsana feom the film Shirin Farhad (1956), but they were posted earlier at ‘Forgotten Composers Unforgettable Melodies: S Mohinder’. N Venkataraman June 1, 2018 at 7:51 pm. Jignesh – Only one song from Durbar I will classify in the forgotten category. The others have been heard many times from several sources.Bhatiaji – Welcome to Atlanta when you land there.
Songs posted by you in latest comment are all well known.Ms. Mumbaikar – These songs are bound to be not common. Would like to peruse that album. The one you posted would have been identified as that of Madan Mohan without details such is his stamp on the song. You can deduce trends of Jahanara song in this.I am happy to observe that there are still songs to be brought out. I will try to make a comprehensive compendium of these songs when I get a new laptop here for which I am pestering my son.
Jignesh Kotadia June 1, 2018 at 9:50 pm. VenkataramanjiI apologose ?.Now I am giving you 24 hrs to beat me ? ?Just minutes b4 I beat you, Bhatiaji beat me in Darbaar song.but I am posting the lyrics of this mesmeriser.लूट लियालूट लिया.किसी गरीब का घर बादशाह ने लूट लियाकरूँ मैं किस से गिला जब खुदा ने लूट लियालहू से दिल के जलाया था जो चिराग हमनेइसी चिराग को ज़ालिम हवा ने लूट लियादुहाई है अरे इन्साफ़ की दुहाई हैकी एक फ़क़ीर को आलमपनाह ने लूट लियाकरूँ मैं किस से गिलाजब खुदा ने लूट लियाकिसी गरीब का घरबादशाह ने लूट लिया N Venkataraman June 2, 2018 at 3:40 pm.
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